Gina Ropiha’s practice is an ongoing investigation into her experiences of having been brought up in Aotearoa (New Zealand) as a person of mixed heritage- Maori and Pakeha (New Zealand/English).

Ropiha has found her values and beliefs often at odds with materialistic and work-focused first world society she lives in. The difference, slippage and challenges between these two states is where Ropiha’s interest lies, allowing for a humorous and dynamic space in which to produce work.

Since living in Australia Ropiha has become interested in making objects that are personal adornments and has been involved in projects where the wearer of said adornment responds to and has the ability to change the work in some way. In Maoridom, there is no separation between ‘Art’ and life. Objects that are made for ritual and utilitarian purposes alike are considered important and a vital and active part of people’s everyday existence.

Ropiha has exhibited nationally and internationally and at venues including but not limited to Blakdot Gallery in Melbourne (2016) La Paz, Bolivia (2014), Museo Nacional de Culturas Populares in Mexico (2014) and Objectspace Auckland in New Zealand (2013). Ropiha participated at the Weaving Worlds project and exhibition at the ATW in early 2016.