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Cheryl Thornton

ATW weavers working on ‘Rising suns over Australia Felix’ 1997, designed by John Olsen AO OBE, woven by Grazyna Bleja, Georgina Barker, Merrill Dumbrell, Owen Hammond, Claudia Lo Priore, Milena Paplinska & Cheryl Thornton, wool and cotton, 4.00 x 7.77m.
ATW weavers working on ‘Rising suns over Australia Felix’ 1997, designed by John Olsen AO OBE, woven by Grazyna Bleja, Georgina Barker, Merrill Dumbrell, Owen Hammond, Claudia Lo Priore, Milena Paplinska & Cheryl Thornton, wool and cotton, 4.00 x 7.77m.
Detail shots of ‘Rising suns over Australia Felix’ 1997, designed by John Olsen AO OBE, woven by Grazyna Bleja, Georgina Barker, Merrill Dumbrell, Owen Hammond, Claudia Lo Priore, Milena Paplinska & Cheryl Thornton, wool and cotton, 4.00 x 7.77m.
John Olsen AO OBE with ATW weavers in front of ‘Rising suns over Australia Felix’ 1997, designed by John Olsen AO OBE, woven by Grazyna Bleja, Georgina Barker, Merrill Dumbrell, Owen Hammond, Claudia Lo Priore, Milena Paplinska & Cheryl Thornton.
‘Rising suns over Australia Felix’ 1997, designed by John Olsen AO OBE, woven by Grazyna Bleja, Georgina Barker, Merrill Dumbrell, Owen Hammond, Claudia Lo Priore, Milena Paplinska & Cheryl Thornton, wool and cotton, 4.00 x 7.77m.
In situ at Dept. Foreign Affairs and Trade in Canberra:‘Rising suns over Australia Felix’ 1997, designed by John Olsen AO OBE. Photograph: John Gollings AM.

Rising suns over Australia Felix was the first of several tapestries designed by John Olsen AO OBE and woven by the ATW in 1997.

After working with tapestry workshops in France and Portugal in the 1960s, Olsen found the work of ATW weavers to be world-class and has been a steadfast supporter of the ATW ever since. Olsen is widely considered to be one of Australia’s most important living artists. He is known for his lyrical drawings and paintings that feature native Australian flora and fauna. His works are constructed with multiple meandering lines, energetic life-forms and the rich colours that make up the Australian landscape.

Rising suns over Australia Felix, commissioned by the Department of Foreign Affairs and Trade, was inspired on a return flight to Australia, at the exact moment when Olsen witnessed a sunrise and saw the ascending orb gradually illuminate the expansive land below. The scene is split into two distinct halves – sky and land – but in both realms the surface is dappled, suggesting the luminosity of the dawn scene. The monumental scale of the tapestry effectively conjures the vastness of the Australian continent.

Olsen’s work is housed in Olsen Gallery and has been collected widely by national and international institutions.

ATW weaver matching yarn for ‘Pretty as’ 1982, designed by Richard Larter, woven by Sara Lindsay, Allan Holland, Pamela Joyce & Cheryl Thornton, wool and cotton, 2.850 x 4.753m. Photograph: ATW.
Detail of ‘Pretty as’ 1982, designed by Richard Larter, woven by Sara Lindsay, Allan Holland, Pamela Joyce & Cheryl Thornton, wool and cotton, 2.850 x 4.753m. Photograph: ATW.
‘Pretty as’ 1982, designed by Richard Larter, woven by Sara Lindsay, Allan Holland, Pamela Joyce & Cheryl Thornton, wool and cotton, 2.850 x 4.753m.
ATW weavers working after cutting off ‘Pretty as’ 1982, designed by Richard Larter, woven by Sara Lindsay, Allan Holland, Pamela Joyce & Cheryl Thornton, wool and cotton, 2.850 x 4.753m. Photograph: ATW.

In 1982 four ATW weavers translated Pretty as - designed by prominent Australian artist Richard Larter - into tapestry.

Known for his use of bright colour and a collage-based approach to image production, Larter is classified as one of Australia's few highly recognizable pop artists.

Pretty as is housed in the National Gallery of Australia Collection in Canberra.

Larter has exhibited widely, both nationally and internationally, and is represented by Niagara Galleries, Melbourne.

ATW weavers working on ‘Wattle’ 1979, designed by Marie Cook, woven by Marie Cook, Gordon Cameron, Ilona Fornalski, Kathy Hope, Jan Nelson, Cheryl Thornton, Wendy Webb & Irja West, wool and cotton, 3.66 x 6.09m. Photograph: ATW.
ATW weavers working on ‘Wattle’ 1979, designed by Marie Cook, woven by Marie Cook, Gordon Cameron, Ilona Fornalski, Kathy Hope, Jan Nelson, Cheryl Thornton, Wendy Webb & Irja West, wool and cotton, 3.66 x 6.09m. Photograph: ATW.
‘Wattle’ 1979, designed by Marie Cook, woven by Marie Cook, Gordon Cameron, Ilona Fornalski, Kathy Hope, Jan Nelson, Cheryl Thornton, Wendy Webb & Irja West, wool and cotton, 3.66 x 6.09m. Photograph: ATW.
‘Wattle’ 1979, designed by Marie Cook, woven by Marie Cook, Gordon Cameron, Ilona Fornalski, Kathy Hope, Jan Nelson, Cheryl Thornton, Wendy Webb & Irja West, wool and cotton, 3.66 x 6.09m, in situ at the Sofitel Hotel, Melbourne. Photograph: ATW.

Marie Cook designed Wattle in 1979, as a companion piece to Pink Heath, woven in the same year for the Sofitel Hotel in Melbourne.

As oppose to Pink Heath, which was woven on it's side, Wattle was woven horizontally. This allowed more weavers to work on the project and facilitated the decision to purchase a new 8m loom for the Workshop.

Wattle and Pink Heath have remained popular depictions of Australian flora and are still much loved by Melbournians.